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ChurchTanks by Kris Kuksi
People like to talk about how important the separation of church and state is, but nobody ever said anything about the separation of church and tanks. Probably an oversight they regret now. Kris’ mixed media constructs combine faith-based architecture with the dominating tread of military might, drawing obvious parallels between the two and paving the way for some badass G.I. Joe future vehicle sets.
Artist: Website (via: My Modern Met)
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Equity and technological progress are on a profound collision course.
Daniel Callahan -
I know this and I know this is true and I believe this with every part of my being and do my best to live this every day. But patience is hard and feelings are dumb.
Posted on January 18, 2013 via LITERAL ADORATION with 264,408 notes
Source: tessaclark
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Kitty Kraus. Roughly constructed mirrored cubes illuminated from within; small gaps emit entrancing patterns of kaleidoscopic light. Although some lamps function normally, others contain 500-watt bulbs that overheat the mirrored interior and cause the cube to explode.
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Posted on January 9, 2013 via kateoplis with 183 notes
Source: kateoplis
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I went to this concert once and the only place for us to stand was right next to the speakers. The bass was so strong it invaded my ribs and pushed around my perfectly rhythmic heartbeat. It made my chest ache; I couldn’t tell what was the music and what was my own heart beat. That is what loving you feels like. You’re the music and I can’t ever seem to catch my breath.
#working #writing (via pwrpunch) -
To one of my best friends.
“But even if we don’t have the power to choose where we come from, we can still choose where to go from there. We can still do things. And we can try to feel okay about them.” -Charlie
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Circumstance
We are
Resilient.
Take this hand of cards
these lemons,
all the cliches that were
ever thrust upon us as kids,
force them down our throats to digest and
make us sick,
and like a cow chewing cud
we’ll learn a way to reswallow
in a way that didn’t taste quite as demented and distorted
as it did going down the first time.
We take this bull pen they call
Circumstance
and wrestle with it,
and with why it was placed before us,
and with the puppeteer controlling the show.
Who matched us up with this,
and thought we could win?
Fill me with confusion,
deliver blows to my head and watch,
watch me stumble
and flail
then take my blindfold off.
Let me see what played out in
the background, between the ink
forming letters forming words
known as lines,
give me those and watch me
bend, distort, fold them into themselves
until I’ve traced their patterns and know
every curve, every weakness
until I fly over life like Mario Cart with no bananas.
See me.
Not for what you’ve molded me into,
Not for what I was supposed to be, or to do
with this warped object you tell me is
life,
but see me for my interpretation,
for my next move.
Because what you brand as life,
I call a coin toss.
Fling me in the air, my ridged edges summersaulting,
and I will fall,
but I’ll be damned
if I don’t gleam and spin while doing it.
I’ll disguise my fall as flight,
as a full house,
lemonade,
a ten second pin,
and I will have everything
where its supposed
to
be.
But don’t read between the lines,
you’ll catch a left hook thundering along your jawline because I’m
still wrestling.
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Lori Nix constructs these small dioramas using cardboard, foam, glue and paint which she then photographs using an 8 x 10 inch camera. Each piece takes about 7 months to complete.
Posted on December 8, 2012 via with 11,543 notes
